At the door

“All actors look for them-the defining moments
When what a character does is what he is.
The script may say, He goes to the door
And exits or She goes out the door stage left.

But you see your fingers touching the doorknob,
Closing around it, turning it
As if by themselves. The latch slides
Out of the strike-plate, the door swings on its hinges,
And you’re about to take that step
Over the threshold into a different light.

For the audience, you may simply be
Disappearing from the scene, yet in those few seconds
You can reach for the knob as the last object on earth
You wanted to touch. Or you can take it
Warmly like the hand your father offered
Once in forgiveness and afterward
Kept to himself.

Or you can stand there briefly, as bewildered
As by the door of a walk-in time-lock safe,
Stand there and stare
At the whole concept of shutness, like a rat
Whose maze has been rebaffled overnight,
Stand still and quiver, unable to turn
Around or go left or right.

Or you can grasp it with a sly, soundless discretion,
Open it inch by inch, testing each fraction
Of torque on the spindles, on tiptoe
Slip yourself through the upright slot
And press the lock-stile silently
Back into its frame.

Or you can use your shoulder
Or the hard heel of your shoe
And a leg-thrust to break it open.

Or you can approach the door as if accustomed
To having all barriers open by themselves.
You can wrench aside
This unauthorized interruption of your progress
And then leave it ajar
For others to do with as they may see fit.

Or you can stand at ease
And give the impression you can see through
This door or any door and have no need
To take your physical self to the other side.

Or you can turn the knob as if at last
Nothing could please you more, your body language
Filled with expectations of joy at where you’re going,
Holding yourself momentarily in the posture
Of an awestruck pilgrim at the gate-though you know
You’ll only be stepping out against the scrim
Or a wobbly flat daubed with a landscape,
A scribble of leaves, a hint of flowers,
The bare suggestion of a garden.”

~ David Wagoner

Old-door

Simplicity

The greatest wisdom is in simplicity. Love, respect, tolerance, sharing, gratitude, forgiveness. It’s not complex or elaborate. The real knowledge is free. It’s encoded in your DNA. All you need is within you. Great teachers have said that from the beginning. Find your heart, and you will find your way.” ― Carlos Barrios, Mayan elder

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Storytelling

One lesson we can learn from pre-industrial peoples is the power of storytelling. I am struck by how important storytelling is among tribal peoples; it forms the basis of their educational systems. The Celtic peoples, for example, insisted that only the poets could be teachers. Why? I think it is because knowledge that is not passed through the heart is dangerous: it may lack wisdom; it may be a power trip; it may squelch life out of the learners. What if our educational systems were to insist that teachers be poets and storytellers and artists? What transformations would follow? ~ Matthew Fox

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Illness

Illness is a very unique kind of rite of passage—for unlike other passages that have clear “endings”, we often “return” from a healing journey with a great deal of uncertainty… When illness is our initiation path, our “return” often brings a fierce invitation to bring exquisite attention to what is absolutely essential and joyful in our lives for whatever time we have here. ~Laura Weaver

Healing-Journey-2-1

 

An absolute necessity

“This is an absolute necessity for anybody today: you must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually wonderful will happen.”

~ Joseph Campbell

room for mindfulness